24/08/2011 § Leave a comment
In ‘C’, McCarthy follows Serge episodically throughout his life; beginning in his family’s estate, which doubles up as a silk factory and school for the deaf, before travelling to Germany for WW1, then London and finally, Egypt. The entire novel feels like an overindulgent introduction, which centres hedonistically on the concept of transmission whilst leaving even its central character deliberately two dimensional and impassive. Serge as a character is merely a vessel for the author’s immoderate and dense philosophical musings. The overly literary style of this novel detracts from its own story telling, leaving the reader distant, unmoved and disengaged.